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BA Liberal Arts

Royal Holloway, University of London

About this course

BA in Liberal Arts, combining arts, humanities, social sciences and sciences. Core topics include Historical Research, Research Methods, Social & Cultural Analysis, Global & Comparative Perspective, and Communication & Writing. Optional modules span media arts, creative writing, film, literature, law, international relations and psychology. Students may incorporate a year abroad, foundation year, or language year into the programme.

Written by AI from the university's course page and module list. It can get details wrong, so check the official course page before you rely on it.

Institution
Royal Holloway, University of London
Level
undergraduate
Subject
Liberal Arts
Duration
3 years
UCAS code
Y000
Typical offer
A-level BBB, IB 30

Entry requirements

A level: BBB-BBC (Required subjects: We require English and Mathematics GCSE at grade 4/C) IB: 5,5,5 at Higher Level OR a minimum of 30 points overall

What students say

Based on about 12 final-year students who answered (a small group: a rough guide only)

  • Teaching on my course: 94%
  • Learning opportunities: 93%
  • Assessment and feedback: 90%
  • Academic support: 95%
  • Organisation and management: 83%
  • Learning resources: 92%
  • Student voice: 78%

Do students stay on the course?

Based on about 20 students who started (a small group: a rough guide only)

  • Continued on course: 65%
  • Left higher education: 30%
  • Moved to a lower qualification: 5%

Who gets in

Based on about 15 students who started (a small group: a rough guide only)

  • A levels: 95%
  • Baccalaureate: 5%

Accreditation & quality ratings

TEF 2023 (whole university): Silver overall, Silver for student experience, Silver for student outcomes.

Modules

  • Critical and Cultural Encounters
  • French Ab Initio Written I
  • French Ab Initio Oral I
  • French Advanced Written I
  • French Advanced Oral I
  • German Ab Initio Written I
  • German Ab Initio Oral I
  • German Advanced Written I
  • German Advanced Oral I
  • Italian Ab Initio Written I
  • Italian Ab Initio Oral I
  • Italian Advanced Written I
  • Italian Advanced Oral I
  • Spanish Ab Initio Written I
  • Spanish Ab Initio Oral I
  • Spanish Advanced Written I
  • Spanish Advanced Oral I
  • Reading Texts
  • Introduction to Greek Literature
  • Roman Literature of the Empire
  • Greek History and the City State
  • Key Themes in Roman History
  • Introduction to Greek Archaeology
  • Introduction to Roman Archaeology
  • Beginner’s Greek
  • Intermediate Greek
  • Beginner's Latin
  • Intermediate Latin
  • Greek Language and Reading
  • Latin Language and Reading
  • Introduction to Criminology
  • Theatre and Text 1
  • Theatre and Culture 1
  • Theatre and Ideas 1
  • Principles of Economics
  • Encountering Medieval Literature: From Beowulf to Chaucer
  • Critical Foundations: Thinking As A Critic
  • Shakespeare
  • Reorienting the Novel
  • Introduction to Poetry
  • Republics, Kings and People: The Foundations of European Political Thought from Plato to Rousseau
  • From Renaissance to Revolutions: Europe and the World, 1500-1800
  • Conflict and Identity in Modern Europe, c. 1770 to 2000
  • From Mao to Bin Laden: Twentieth-Century Leaders in the Non-Western World
  • Rome to Renaissance: An Introduction to the Middle Ages
  • Introduction to Media Histories 1
  • Reading Texts: Criticism for Comparative Literature
  • Screen Narrative: Theory and Practice
  • Skills and Techniques for Translation
  • The Visual Image in French Culture and Society
  • Key French Texts: The Individual and Society
  • Decoding France: Language, Culture, Identity
  • Introduction to German Studies
  • Strange Encounters: Texts and Contexts in Modern German Culture
  • Dante, Petrarch, Boccaccio and their Heritage
  • Fascist Italy
  • Journeys of Identity Discovery, Subversion and Destruction in the Hispanic Worlds
  • International Film 1: Contexts and Practices
  • Tales of the City: Introduction to Thematic Analysis
  • The Birth of Film
  • Visual Arts 1: Artists and their Materials
  • Introduction to Pure Mathematics
  • Linear Algebra I
  • From Euclid to Mandelbrot
  • Calculus
  • Numbers and Functions
  • Introduction to Applied Mathematics
  • Statistical Methods 1
  • Calculus II
  • Introduction to World Music
  • Contemporary Debates in Music
  • A Very Short History of Music
  • Introduction to Historical Musicology
  • Introduction to Ancient Philosophy
  • Classic and Contemporary Readings in Politics and International Relations
  • Understanding Development across the Lifespan
  • Understanding Mental Health and Wellbeing
  • Power, Society and Cultural Practice
  • Body and Soul in Ancient Philosophy
  • The British and the World: 1763-1900
  • The Decline and Fall of Britain’s Global Empire, 1899-1997
  • The Rise and Fall of the Roman Republic
  • Rome and its Empire from Augustus to Commodus
  • Centre of the Universe: Science from Antiquity to the early Middle Ages
  • The Pursuit of Power: Europe 1000-1250
  • Religion, Culture and Society in Europe, 1000-1250
  • Virtue and Power: Political Thought from Cicero to Machiavelli
  • The Birth of Europe, 400-900
  • The Dark Continent: Europe, 1914-1948
  • Safe European Home? Europe 1945-2000
  • Byzantine Twilight, 1200-1460
  • The Tudor Monarchy 1485-1603
  • Killing the King: England in an Age of Revolution, 1603-1714
  • Gorgeous Georgians?: Society, Culture and Crime, 1714-1830
  • The Ottomans: The Muslim Empire in the Early Modern World, 1453-1789
  • The Greek World from the Fall of Byzantium to the Rise of Nationalism, 1453-1910
  • Medicine from Antiquity to the Medieval Near East
  • The Light of Burning Heretics: Popular Heresy in the Middle Ages
  • Spanish and Portuguese Empires in the Americas, 1450-1650
  • Italy from Unification to the Present
  • Apocalypse Postponed: The Global Cold War 1945-98
  • From Venizelos to Varoufakis: The History of Greece from 1910 to the Present Day
  • American Economic Hegemony: Its Rise and Fall, 1941-2012
  • Vice, Virtue and the Victorians: British History 1837-1901
  • Modern British History 1914-1973
  • The United States in the Twentieth Century
  • Spain 1898-1939
  • Spain from Dictatorship to Democracy 1939-1989
  • Awakening China: From the Opium Wars to the Present Day
  • The Holy Man: Sanctity and the Sacred in Historical Research
  • Film Theory: Hitchcock and Point of View
  • Modernism and Avant Garde Film
  • Modern European Cinema
  • Television Histories
  • Exotic Cinema: Encounters with Cultural Difference
  • Digital Aesthetics
  • Contemporary Chinese Cinemas
  • The Creative Industries
  • Studies in Ethnomusicology
  • Studies in Music, Media and Technology
  • Introduction to Jazz: Theory, Practice and Contexts
  • Practical Ethics
  • Democracy in Britain
  • Contemporary Political Theory
  • International Political Economy
  • Political Behaviour
  • War and Security in World Politics
  • Modern Political Thought
  • International Organisations
  • The Politics of Human Rights
  • Introduction to Political Communication
  • Introduction to European Philosophy 1: Kant to Hegel
  • Mind and World
  • Introduction to European Philosophy 2: The Critique of Idealism
  • Modern French Philosophy
  • Philosophy of Language
  • Major Thinker
  • Microeconomics
  • Political Geography
  • Cities: Economies and Ecologies
  • Cultural Geographies of the Modern World
  • Perspectives on Development
  • Key Perspectives and Debates in Criminology
  • Sociology of Contemporary Society
  • Linear Algebra II
  • Ring Theory
  • Graphs and Optimisation
  • Ordinary Differential Equations and Fourier Analysis
  • Complex Analysis
  • Probability Theory
  • Vector Calculus
  • Virgil’s Aeneid: The Empire in the Literary Imagination
  • Ovid’s Metamorphoses: Art and Power in Augustan Rome
  • Greek Law and Lawcourts
  • Greek History to 322 BC
  • Greek Drama (In Translation)
  • Gender in Classical Antiquity
  • Aspects of Modern Greek Language and Culture
  • Theatre and Text: Staging the Real
  • Theatre and Text: Greek Tragedy
  • Theatre and Text: Decoding debbie tucker green
  • Theatre and Text: Dramaturgy
  • Theatre and Culture: Southeast Asian Theatre and Performance
  • Theatre and Culture: Theatre for Young Audiences
  • Theatre and Culture: Aesthetics of Anxiety
  • Theatre and Culture: Cultures of Memory
  • Dancing Bodies, Global Culture
  • Theatre and Ideas: The Idea of Live Art
  • Theatre and Ideas: The Idea of Acting
  • Theatre and Ideas: Ideas of Race and Indigeneity
  • Theatre and Ideas: The Idea of Money
  • Theatre and Ideas: Arts Entrepreneurship
  • Theatre and Ideas: Ideas of Gender and Sexuality
  • Theatre and Ideas: The Idea of Time
  • Theatre and Ideas: The Idea of Knowledge and the Body
  • Theatre and Ideas: The Idea of Tragedy
  • Theatre and Ideas: The Idea of Casting
  • Theatre and Ideas: The Idea of Adaptation
  • Renaissance Literature
  • The Age of Opposition: Literature, 1660-1780
  • Victorian Literature
  • Romanticisms
  • Contemporary Debates in Literary and Critical Theory
  • Modernisms
  • Middle English Poetry
  • Medieval Dream and Vision
  • Strange Fictions: Romance in the Middle Ages
  • Intensive Shakespeare: Comedy, History, Tragedy
  • Drama and Witchcraft
  • Paradise in Early Modern Literature
  • Early Modern Bodies
  • Fictions of Sensation
  • Creative Writing: Structure and Style
  • Literature of the Fin de Siècle, 1883-1903
  • Dark Reform: Scandal and Satire in American Culture
  • Four National Poets: Gillian Clarke, Carol Ann Duffy, Liz Lochhead and Paula Meehan
  • French Language II
  • Intensive French for Beginners II
  • Writing Romance and Desire
  • Cinema in France
  • German Language II
  • Intensive Beginners’ German II
  • Death, Desire, Decline: Thomas Mann and Franz Kafka
  • 21st-century World Food Fictions: Feeding Interdisciplinary Understandings of Identity Constructs
  • World Literatures: Texts and Identities in Motion
  • Belonging and the Self in Contemporary German Fiction and Film
  • Advanced Italian II for Post Beginners
  • Italian Language II
  • Postwar Italian Cinema: the Auteur Tradition
  • Art and Literature in Renaissance Florence
  • Fake News, Gossip, and the Pursuit of Truth: From Renaissance Newsletters to Online Journalism
  • Spanish Language II
  • Intensive Spanish II
  • Deceit, Desire and the Self: Literature of the Spanish Golden Age
  • Seducing the Nation: Spanish Film 1940s to 1980s
  • Conflict in Latin American Literature
  • A Special Theme in the Novel: Transgressions
  • Social Psychology
  • Developmental Psychology
  • Voluntary Work in the Community
  • LAXXX Individual Interdisciplinary Project
  • Further Aspects of Modern Greek Language and Culture
  • Sociology of Health and Illness
  • Youth in Society: Deviance and Delinquency
  • Lost in Music: The Sociology of Popular Music
  • Sociology of Health and Illness 2
  • Youth in Society: Culture, Subculture & Transgression
  • Race, Ethnicity and Migration
  • Children, Society and Risk
  • Terrorism Studies Part 1
  • Drugs, Crime and Society
  • Sentencing and Penal Policy
  • Interpersonal violence and harm
  • Crime, Media and Culture
  • Terrorism Studies Part 2
  • Prisons
  • Victims and Witnesses
  • The Actor's Voice
  • Performing Celebrity: The Early Actress
  • Creative Learning and Theatre
  • Theatre & Therapy
  • Shakespeare on Camera
  • Physical Theatre
  • Contemporary British Theatre
  • Naturalist Theatre in Context
  • Asylum Seekers in the 21st Century: Theatre, Film and Activism
  • Dancing in the Street
  • Race Relations in Theatre, Film and Television
  • Performance and Visual Art
  • Theatre, Magic and Witchcraft
  • Macroeconomics
  • The Girl in the Book
  • The Post-Colonial Novel
  • Poetic Practice
  • Special Author: Chaucer
  • Special Author: Charles Dickens
  • Advanced Shakespeare: The Problem Plays
  • Literature and Philosophy
  • Old English Riddles
  • Reading the Waste Land
  • Children's Literature
  • Coast and Estuarine Management
  • Global Warming
  • Wetland Environments: Process and Policy
  • Managing River Environments
  • Digital Landscapes
  • Arid Africa
  • Glacial Environments
  • Mammals in a Changing World
  • Volcanoes
  • Regeneration and Urban Policy
  • Geography of Commodities
  • Post-Capitalist Cities
  • Geopolitics of Media and Communications
  • Exploration, Science and Making of Geography
  • Geography, Museums and Collections
  • Creative Geographies
  • Geographies of Home
  • Mobilities
  • Challenging Development? Disasters, Conflict and Human (in)Security
  • Critical GIS
  • Pratique du Français III
  • Arthurian Romance: Chretien de Troyes
  • Text and Image in France: from Cubism to the Present
  • Blindness and Vision in French Culture
  • Redefining the Erotic in Contemporary French Literature and Film
  • Villains and Villainy in Early Modern French Theatre
  • German Language III
  • Narrative and Identity: The German Novel from the 18th to the 21st Century
  • National Socialism and the Third Reich in German Film and Visual Culture from 1933 to the Present
  • Advanced Italian III
  • Spanish III
  • Transnationalism, Diaspora and Globalisation in Contemporary Film
  • Humans and Other Animals in Twenty-First Century Fiction and Thought
  • Number Theory
  • Error Correcting Codes
  • Contemporary British Cinema
  • Television and Digital Cultures
  • Media Technologies
  • Film, Television and the Holocaust
  • Psychoanalysis and Cinema
  • See This Sound - Audiovisuology
  • Political Cinema: From Eisenstein to Youtube
  • The Poetics of Contemporary Television
  • 360º Cinema
  • Contemporary British Cinema 2
  • Film Aesthetics 1: Issues of Interpretation and Evaluation
  • Film Aesthetics 2: The World and Its Image
  • Modern European Philosophy 1: Husserl to Heidegger
  • Modern European Philosophy 2: Critical Theory and Hermeneutics
  • Advanced Developmental Psychology
  • Health Psychology and Wellbeing
  • Educational Psychology
  • The British in India: a Social and Political History
  • The Politics of the Internet and the Information Society
  • Radical Political Theory I: Hegel, Marx, Nietzsche
  • The Politics of Toleration
  • Social Justice: From Theory to Practice
  • US Foreign Policy - History
  • Advanced Seminar in British Politics
  • The Politics of Africa
  • Defence in the Post-Cold War World
  • Understanding China's Rise: Domestic Politics and Foreign Policy
  • Global Energy Policy
  • Refugees and Migration in World Politics
  • American Political Development
  • The Politics of Russia and Eastern Europe
  • Theories of Freedom and Democracy
  • Directing Screen Fiction
  • Screen Documentary

Questions about this course

Are students happy with the teaching on BA Liberal Arts at Royal Holloway, University of London?

94% of final-year students were positive about the teaching in the National Student Survey 2025-26.

What grades do I need for BA Liberal Arts at Royal Holloway, University of London?

The typical offer is BBB at A level, or 30 points in the IB. The average entrant had 122 UCAS points.

Does BA Liberal Arts at Royal Holloway, University of London include a placement year or year abroad?

The course has an optional placement year and an optional year abroad.

How many students continue on BA Liberal Arts at Royal Holloway, University of London?

65% of students continued into their second year, and 30% left higher education.